How to Write a Sentence: and how to read one
By Stanley Fish
Call Number: PE 1441 .F57 2011 (Currently on the New Book Shelf in the Library Lobby)
Publisher's Description: Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language: "I am always on the lookout for sentences that take your breath away, for sentences that make you say, 'Isn't that something?' or 'What a sentence!'" Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play.
In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). His vibrant analysis takes us on a literary tour of great writers throughout history—from William Shakespeare, Jane Austen, and Henry James to Martin Luther King Jr., Antonin Scalia, and Elmore Leonard. Indeed, How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time.
Interview with the author on NPR's "Talk of the Nation"
Monday, March 28, 2011
Tuesday, March 22, 2011
Book of the Week (March 21, 2011)

Cultures of War: Pearl Harbor/Hiroshima/9-11/Iraq By John W. Dower
Call Number: E 745 .D69 2010
Publisher's Description: Finalist for the 2010 National Book Award in Nonfiction: The Pulitzer Prize-winning historian returns with a groundbreaking comparative study of the dynamics and pathologies of war in modern times.
Over recent decades, John W. Dower, one of America’s preeminent historians, has addressed the roots and consequences of war from multiple perspectives. In War Without Mercy (1986), winner of the National Book Critics Circle Award, he described and analyzed the brutality that attended World War II in the Pacific, as seen from both the Japanese and the American sides. Embracing Defeat (1999), winner of numerous honors including the Pulitzer Prize and the National Book Award, dealt with Japan’s struggle to start over in a shattered land in the immediate aftermath of the Pacific War.
Turning to an even larger canvas, Dower now examines the cultures of war revealed by four powerful events—Pearl Harbor, Hiroshima, 9-11, and the invasion of Iraq in the name of a war on terror. The list of issues examined and themes explored is wide-ranging: failures of intelligence and imagination, wars of choice and “strategic imbecilities,” faith-based secular thinking as well as more overtly holy wars, the targeting of noncombatants, and the almost irresistible logic—and allure—of mass destruction. Dower’s new work also sets the U.S. occupations of Japan and Iraq side by side in strikingly original ways. Cultures of War offers comparative insights into individual and institutional behavior and pathologies that transcend “cultures” in the more traditional sense, and that ultimately go beyond war-making alone.
Monday, March 14, 2011
Book of the Week (March 14, 2011)
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By Jane McGonigal
Call Number: GV 1201.38 .M34 2011
Publisher's Description: More than 174 million Americans are gamers, and the average young person in the United States will spend ten thousand hours gaming by the age of twenty-one. According to world-renowned game designer Jane McGonigal, the reason for this mass exodus to virtual worlds is that videogames are increasingly fulfilling genuine human needs. In this groundbreaking exploration of the power and future of gaming, McGonigal reveals how we can use the lessons of game design to fix what is wrong with the real world.
Drawing on positive psychology, cognitive science, and sociology, Reality Is Broken uncovers how game designers have hit on core truths about what makes us happy and utilized these discoveriesto astonishing effect in virtual environments. Videogames consistently provide the exhilarating rewards, stimulating challenges, and epic victories that are so often lacking in the real world. But why, McGonigal asks, should we use the power of games for escapist entertainment alone? Her research suggests that gamers are expert problem solvers and collaborators because they regularly cooperate with other players to overcome daunting virtual challenges, and she helped pioneer a fast-growing genre of games that aims to turn gameplay to socially positive ends.
In Reality Is Broken, she reveals how these new alternate reality games are already improving the quality of our daily lives, fighting social problems such as depression and obesity, and addressing vital twenty-first-century challenges-and she forecasts the thrilling possibilities that lie ahead. She introduces us to games like World Without Oil, a simulation designed to brainstorm-and therefore avert- the challenges of a worldwide oil shortage, and Evoke, a game commissioned by the World Bank Institute that sends players on missions to address issues from poverty to climate change.
McGonigal persuasively argues that those who continue to dismiss games will be at a major disadvantage in the coming years. Gamers, on the other hand, will be able to leverage the collaborative and motivational power of games in their own lives, communities, and businesses. Written for gamers and nongamers alike, Reality Is Broken shows us that the future will belong to those who can understand, design, and play games.
Reality is Broken website
Monday, February 28, 2011
Book of the Week (February 28, 2011)
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By Edward Dolnick
Call Number: Q 127 .E8 D65 2011
Publisher's Description: The Clockwork Universe is the story of a band of men who lived in a world of dirt and disease but pictured a universe that ran like a perfect machine. A meld of history and science, this book is a group portrait of some of the greatest minds who ever lived as they wrestled with nature’s most sweeping mysteries. The answers they uncovered still hold the key to how we understand the world.
At the end of the seventeenth century—an age of religious wars, plague, and the Great Fire of London— when most people saw the world as falling apart, these earliest scientists saw a world of perfect order. They declared that, chaotic as it looked, the universe was in fact as intricate and perfectly regulated as a clock. This was the tail end of Shakespeare’s century, when the natural and the supernatural still twined around each other. Disease was a punishment ordained by God, astronomy had not yet broken free from astrology, and the sky was filled with omens. It was a time when little was known and everything was new. These brilliant, ambitious, curious men believed in angels, alchemy, and the devil, and they also believed that the universe followed precise, mathematical laws—a contradiction that tormented them and changed the course of history.
The Clockwork Universe is the fascinating and compelling story of the bewildered geniuses of the Royal Society, the men who made the modern world.
Edward Dolnick's Web Site
Review from the Wall Street Journal
Tuesday, February 22, 2011
Book of the Week (February 21, 2011)
Call Number: GT 165.5 B79 2010
Publisher's Description: From one of the most beloved authors of our time—more than six million copies of his books have been sold in this country alone—a fascinating excursion into the history behind the place we call home. Review from the New York Times
"Houses aren't refuges from history. They are where history ends up."
Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as he found it in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to "write a history of the world without leaving home." The bathroom provides the occasion for a history of hygiene; the bedroom, sex, death, and sleep; the kitchen, nutrition and the spice trade; and so on, as Bryson shows how each has figured in the evolution of private life. Whatever happens in the world, he demonstrates, ends up in our house, in the paint and the pipes and the pillows and every item of furniture.
Bill Bryson has one of the liveliest, most inquisitive minds on the planet, and he is a master at turning the seemingly isolated or mundane fact into an occasion for the most diverting exposition imaginable. His wit and sheer prose fluency make At Home one of the most entertaining books ever written about private life.
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At Home: A Short History of Private Life
By Bill BrysonCall Number: GT 165.5 B79 2010
Publisher's Description: From one of the most beloved authors of our time—more than six million copies of his books have been sold in this country alone—a fascinating excursion into the history behind the place we call home. Review from the New York Times
"Houses aren't refuges from history. They are where history ends up."
Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as he found it in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to "write a history of the world without leaving home." The bathroom provides the occasion for a history of hygiene; the bedroom, sex, death, and sleep; the kitchen, nutrition and the spice trade; and so on, as Bryson shows how each has figured in the evolution of private life. Whatever happens in the world, he demonstrates, ends up in our house, in the paint and the pipes and the pillows and every item of furniture.
Bill Bryson has one of the liveliest, most inquisitive minds on the planet, and he is a master at turning the seemingly isolated or mundane fact into an occasion for the most diverting exposition imaginable. His wit and sheer prose fluency make At Home one of the most entertaining books ever written about private life.
Monday, February 14, 2011
Book of the Week (February 14, 2011)
Showtime: A History of the Broadway Musical Theater
By Larry Stempel
Call Number: ML 1711.8 .N3 S73 2010
Publisher's Description: The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers. Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself. Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent.
Through each stage of its development, Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known. But Stempel travels outside the theater doors as well, to illuminate the wider world of musical theater as a living genre shaped by the forces of American history and culture. He reveals not only how musicals entertain their audiences but also how they serve as barometers of social concerns and bearers of cultural values.
Showtime is the culmination of decades of painstaking research on a genre whose forms have changed over the course of two centuries. In covering the expansive subject before him, Stempel combines original research—including a kaleidoscope of primary sources and archival holdings—with deft and insightful analysis. The result is nothing short of the most comprehensive, authoritative history of the Broadway musical yet published. 16 pages of four-color; 105 black-and-white illustrations
A Review of Showtime in the New York Times Sunday Book Review
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Showtime: A History of the Broadway Musical Theater
By Larry Stempel
Call Number: ML 1711.8 .N3 S73 2010
Publisher's Description: The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers. Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself. Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent.
Through each stage of its development, Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known. But Stempel travels outside the theater doors as well, to illuminate the wider world of musical theater as a living genre shaped by the forces of American history and culture. He reveals not only how musicals entertain their audiences but also how they serve as barometers of social concerns and bearers of cultural values.
Showtime is the culmination of decades of painstaking research on a genre whose forms have changed over the course of two centuries. In covering the expansive subject before him, Stempel combines original research—including a kaleidoscope of primary sources and archival holdings—with deft and insightful analysis. The result is nothing short of the most comprehensive, authoritative history of the Broadway musical yet published. 16 pages of four-color; 105 black-and-white illustrations
A Review of Showtime in the New York Times Sunday Book Review
Tuesday, February 8, 2011
Book of the Week (February 7, 2011)
Winner of the 2010 Caldecott Award for
Best Picture Book Illustrations
Available in the IMC (3rd floor)
Call Number: PZ 7 .S808566 Si 2010
A Sick Day for Amos McGee
Written by Philip C. Stead
Illustrated by Erin E. Stead
Publisher's Description: Amos McGee, a friendly zookeeper, always made time to visit his good friends: the elephant, the tortoise, the penguin, the rhinoceros, and the owl. But one day—"Ah-choo!"—he woke up with the sniffles and the sneezes. Though he didn't make it into the zoo that day, he did receive some unexpected guests…Philip Stead's gently humorous tale of friendship and dedication is illustrated by his wife Erin Stead's elegant drawings, embellished with subtle hints of color.
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Best Picture Book Illustrations
Available in the IMC (3rd floor)
Call Number: PZ 7 .S808566 Si 2010
A Sick Day for Amos McGee
Written by Philip C. Stead
Illustrated by Erin E. Stead
Publisher's Description: Amos McGee, a friendly zookeeper, always made time to visit his good friends: the elephant, the tortoise, the penguin, the rhinoceros, and the owl. But one day—"Ah-choo!"—he woke up with the sniffles and the sneezes. Though he didn't make it into the zoo that day, he did receive some unexpected guests…Philip Stead's gently humorous tale of friendship and dedication is illustrated by his wife Erin Stead's elegant drawings, embellished with subtle hints of color.
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